Continuing from the previous post, here's another part of that Norman order. This was something I'd been meaning to get for a long while, the reduced price just made it an unavoidable purchase.
Weird cover. Why is that girl covering the lamb with her hair? Why has Rayman lost his arms to this picture? Not a clue.
It's a gatefold, so there's more of the same drawings inside. I don't really have anything more to contribute about them because I do not understand.
I've slightly sped through the artwork that I don't understand to get to something I do understand - and that is how gorgeous this record is. My word. The dark black of the outer sleeve is contrasted nicely by the lime green inner, and the pale record itself. The lyrics being printed on the inner sleeve is, as always, a bonus for me. Also appreciated is the free CD copy of the album, thanks 4AD.
I really, really like this album. It's a throbbing, moody electronic beast coated with sweet-sounding female vocals that belie their lyrical content (sample: "cut open my sternum and pull my little ribs around you"). Writing about this feels a bit like when I tried (and failed) to write about Donuts - this isn't within the range of things I usually write about but I absolutely love it anyway. It's got an unmistakeable groove about it, which my body doesn't fully know how to respond to. I lack the capacity to dance, so I just nod my head in quiet appreciation but that doesn't feel like enough. Need to sort this out, evidently. My favourite track on the album is Fineshrine, which is most responsible for these feelings. The chorus is just too catchy and I can't deal with its rhythm. This probably ranks as one of my top albums of last year, and it's good to finally own it especially when it looks so nice.